Pascal Melchior was the first publication that asked to see our rejected drafts, not just the final posters. The interview ran with our actual sketchbook pages, including the failed grid experiments. That kind of honesty is rare in design media.
Atul Sami
Founder, Studio Sami & Co, Jaipur
The studio portrait they published was not a polished hero shot. It was my desk at 11 pm, with reference boards, half-empty coffee cups and a pile of printed type specimens. Readers wrote to me saying it felt real. That is the point.
Kasturi Shan
Independent Graphic Designer, Bengaluru
Their typography review covered our variable font project in detail, including the kerning pairs we struggled with. The editor asked the right questions about spacing and optical size. It read like a peer review, not a press release.
Teena Aurora
Type Designer, Foundry Aurora, Delhi
We sent them a case study about a rebrand that almost fell apart in the final week. They kept the messy parts, the client feedback, the late-night revisions. The published piece helped us win two similar projects since.
Rohan Mehta
Creative Director, Mehta & Partners, Mumbai
The print production column they ran on risograph layering was technically accurate and practically useful. We referenced it in our own studio workshop. That is the standard we expect from a design magazine.
Ishita Rao
Print Specialist, Paper & Ink Studio, Pune